SPIRIT ON THE WATER: from the spring to the ocean ‒ Première 2017
We have made from water every living thing.
~ Koran, Surah 21, verse 30
Spirit on the Water takes both an ecological and a spiritual look at water as the source of life, being the theme of this 23rd Festival and addressing respect for the environment as a natural extension of a spiritual approach.
The fountain, or saqaya in Arabic, brings us pure water from the spring. It is thanks to these springs that the great founding cities such as Fes were built. Here, then, is where our tale begins, allowing us to travel from oceans and rivers down to mountain streams.
Spirit on The Water weaves together the sacred and the animal worlds by invoking the story of the flood and the Prophet Jonah (or Younes), full of Biblical, Koranic and Sufi references, and rich Amerindian and Amazonian traditions. It also alludes to the famed myths of antiquity and pays homage to the great civilisations of old: of China, the honoured guest at this festival, of India and the Ganges and of Greece and Egypt. Spirit on the Water explores the importance of respect for water and nature: the future of the earth depends upon it.
The staging of Spirit on the Water, evoking Bob Dylan’s song, pays homage to this recent Nobel laureate for literature and is at once contemporary, abstract and organic. And so is the music. The large orchestra borrows from different traditions, all guided by the spirit of nature: onomatopoeia, rustling and lapping, whispers and whale songs, between an aquatic dream and apocalyptic vision.
Mapping, the visual animation projected onto the walls, leads us on a voyage across time dating back to the origins of humanity that is threatened today. Voices, whistles and songs of nature and the animal world create a new symphony dedicated to life.
Alain Weber: conception and direction
Anne Le Gouguec: artistic coordination and general management
Christophe Olivier, assisted by Gaël Boucault: lighting
Franck Marty and Spectaculaires/Allumeurs d’images: scenography (mapping)
Chris Ekers, Erik Loots and Antoine Aïchoun: sound
Rachid Belhasna and Adil El Acchab: stage management
Snafu Wowkonowicz and Aurélie Chauleur: artistic management
Ramzi Aburedwan: musical direction, composition and orchestral arrangements
Gilles Monfort: sound creation
Orchestra comprised of musicians from Belgium, Palestine, the US and France:
Nicolas Draps: first violin
Daniela Ivanova: second violin
Laurent Tardat: viola
Corentin Dalgarno: cello
Alexandre Furnelle: double base
Alfred Hajjar: ney flute
Tammam Saeed: oud
Jean-Jacques Renaut: brass and classical percussion
Tareq Rantisi: percussion
Bachir Rouimi: percussion
Thomas Champagne – saxophone soprano and tenor
From Brazil:
Marlui Miranda: voice, percussion
Caito Marcondes: percussion
From China:
Wu Opera from Zhejiang
Lingling Yu: pipa lute
From Egypt:
Mohamed Mourad Migally: voice and rabab fiddle
Bahaa Mohamed Mourad Migally: darbouka drum
Mobarak Youssef Mobarak Youssef: voice
Aboubakr Mohammed Mourad Migally: daf drum
Mohamed Moustafa Bikhit Dahy: magician
Abdelrahman Hany Mohamed Morad: tanoura dance
Salame Mahmoud Mohamed Abdelrehim: tanoura dance
El Naggar Mohamed Morad Megally: daf drum
El Hamy Mohamed Mourad Megally: voice and rabab fiddle
Ramadan Hassane Youssef Aly: voice and rabab fiddle
From Spain:
Whistlers from the island of Gomera with Eugenio Darias-Darias
From France:
Frédéric Baron: comedy
From Greece:
Christina Koza: voice
Vangelis Pachalidis: santour
From India:
Milind Tulankar: jal tarang percussion
Ojas Adhivi: tabla
Suva Devi Kalbelya: dance
From Iran (Persian Gulf):
Saeed Shanbehzadeh: neyanban (bagpipe), neydjofti (flute), dammam drum
Naghib Shanbehzadeh: tombak drum, zarbetempo (percussion)
From Kuwait:
Salman El Ammari and Al Maas Ensemble: songs of the pearlfishers
From Morocco:
Ulysse with Shemsy: Chinese mast
Whistlers from the High Atlas
Mehdi Nassouli: guembri and voice
From Mali:
Lansiné Kouyaté: balafon
Hamid Anbassi: technical direction
Abdelkader Ouazzani: production
Siham Nejjar: reception and logistics
Khadija Filali: administration
Mohammed Ichoua: financial direction
Edith Nicol: communication
With thanks to the Embassy and the Ministry of Culture of the People’s Republic of China, to Linghui Xie, Zainab Afailal, Alain Laeron, Kyriakos Kalaitzidis, Soudabeh Kia, Miriam and Christian Ledoux, Corinne Serres, Gérard Pucheu and Lhou Marghine for their co-operation and artistic guidance.